Since childhood art and my environment have been important facets of my life. Quite early on I was introduced to the Old Master painters through a collection of Time Life art books in my parents' bookshelves. The colors, textures, and light fascinated me, but my Cape Cod and Adirondacks childhood also imprinted itself on me. The colors and spaces in gardens, forests, and homes of family and friends introduced me to the art of looking and seeing something unique. After studying art and literature in college, I worked in the fashion industry and as a scenic artist, painting sets for Broadway, film, and television. Upon returning to Massachusetts, raising my daughter, renovating an old home and gardening became my focus for several years. The house and garden have become a starting point for my still life and interior paintings and pastels. Using material culture in the form of both ordinary and special objects that surround us, I hope to portray what I see as the essence of daily life. As a representational painter, I deal in extended moments. Small, prosaic moments, such as a fleeting glimpse, can capture my attention. I focus on light, space, and ordinary objects to give the viewer entry into a world made rich through looking. Using a combination of manmade and natural objects, I work to understand and convey my perception of a small corner of the world that I call home.
Artist's Statement As a representational artist, I'm captivated by the quiet, prosaic moments that punctuate my day. My artistic practice is dedicated to the nuanced development of space, form, and light, informed by my distinct perception of each subject. Drawing inspiration from the architectural, gardening, and decorative arts traditions of New England, I explore the transformative effects of time, nature, and human touch on the objects within my compositions. My studio work frequently involves arranging natural materials, such as plants, with man-made objects, particularly textiles. This pairing offers an expansive canvas for exploration. Through dedicated observation, I uncover the intrinsic relationships among these elements and delve into my personal connection with both the natural and manufactured worlds. The element of design is fundamental to my work. I meticulously construct active spaces by carefully grouping objects. I also intentionally incorporate the designs of others, integrating recognizable patterns from textiles, furniture, and tabletop items into my pieces. Through the deliberate application of color, design, and form, I build immersive spaces that are profoundly grounded in sustained observation, revealing intricate connections. This growing intimacy with my subjects unearths hidden shapes and ideas, culminating in a compelling visual experience crafted from layers of perception, observation, and memory.